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Thus the poet Carl Sandburg’s version of an ancient lawyer’s adage in his epic poem, “The People, Yes.”

It has its psychological roots in works like Carl Sandburg’s "The People, Yes," and ultimately derives from the delusion of American exceptionalism.

Carl Sandburg needed to calm down about Chicago.

So did Lincoln biographer Carl Sandburg, who said they “seem entirely authentic.”

And in 1988, Chase-Riboud’s second poetry collection, “Portrait of a Nude Woman as Cleopatra,” won her the Carl Sandburg prize for best American poet.