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But his most obvious and disqualifying flaw is that he has no observable principles beyond dedication to his own self-advancement.

It’s a tool one uses for self-advancement and self-preservation.

We surrender our professed morality for self-advancement.

We surrender our professed morality for self-advancement.

Her increasingly estranged husband, Prince Charles, portrayed by Josh O’Connor, calls it “an ugly, avaricious piece of self-advancement.”