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On Friday, Carti — the gothic Atlanta emcee whose mix of extreme-metal sonics and disorienting trap music made him a Gen Z megastar—released ”Music,” his long-awaited third album.

One of the most indelible moments of “Calambre,” her debut album, is the song “Buenos Aires” — a nostalgic ode to the city that she left behind, with clear nods to the funkified rock en español sonics of 1980’s South America.

Across a lot of genres — but specifically with hip-hop and R&B and drill and club and house and electronic music — you’re starting to see all of these very regional sonics burst out of these very specific regional subcultures.

They form a horizontal line, listening intently to each other as they dissect the bold sonics of the new record.

“They’re not super rigid about, ‘Well, it has to just sound like us all playing in the room together,’” he said, “which I think has enabled them to explore some different sonics and ideas outside of just being a rock ’n’ roll band.”