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That O’Hara’s Williamstown production was to star McDonald, our leading vocal tragedienne — in a part that, though spoken, seems like one long, ascendant aria — made this “Streetcar” a must-see event of the summer.

After arriving in Paris, she scrounged for work and food while taking acting classes with the ambition of becoming a great stage tragedienne.

Four years later she won a Tony for best actress in one of her most acclaimed roles, that of Medea, underlining her credentials as one of theatre's leading tragediennes.

“I’m a tragedienne in some way,” Ms. Wilson said between measured sips of a cappuccino.

For some reason, I was born with the ability to be a tragedienne and a comedian.”