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Ditto the indictment of universal war culture “In Any Tongue,” the song’s animated accompaniment heartbreaking, Gilmour’s tasteful use of his tremolo bar giving the song an aura both haunted and haunting.

“Pisachi” alternates between hushed, singing harmonics and piquant rhythms painted in impassioned tremolos and spiky pizzicatos.

You can almost hear the tremolo of injured innocence in his voice.

Notice the chords in her right hand that begin and end with little tremolos, perfectly calibrated to make the decaying piano tones do something they should not — shake, flutter, growl.

Its dusty pizzicato tremolo had the predawn rustle of someone waking up and shuffling to the kitchen to prepare the morning’s brew before the household had awakened.