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My heart was beating triple time, but then I waved at her involuntarily, like I was brushing away a bee.

Langston syncopates his verbal abstractions in double time and then triple time, delivering conundrums like: “Creative manners to skip and erase from moment to moment/abstract, realist, most problematic version of futurism.”

She didn’t respond, her heart pounding in triple time as she made her way to the attic.

The second movement, a galloping scherzo in triple time, was brimming with character, and benefited greatly from Cox’s locomotive approach.

He exploited time signatures and forms; for “Night Music,” he wrote a waltz, two sarabandes, two mazurkas, a polonaise, an étude and a gigue — nearly an entire score written in permutations of triple time.