�y��vlog

Pennebaker’s cinéma ��é������é record of Dylan’s 1965 tour of England, as he transitions from Great Folk Hope to Arty Enfant Terrible.

The film utilizes ��é������é and archival images to give audiences a glimpse into Giovanni’s mind.

As depicted in the film, which uses extensive archival and more recent ��é������é footage to chart decades of on-again, off-again destruction, bulldozers raze a school and homes, wells are filled with cement and power generators are hauled away.

The Maysles, who five years later would direct what is largely considered the greatest of all rock ’n’ roll documentaries, “Gimme Shelter,” were founding members of the fly-on-the-wall “direct cinema” movement, the domestic cousin of ciinéma ��é������é.

But with “Bird,” which deploys the splendid ��é������é intimacy of her longtime cinematographer Robbie Ryan, Arnold seems intent on explicitly acknowledging a debt to Loach, forging an exuberantly poetic conversation with the director’s boy-and-his-falcon 1969 classic “Kes.”