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One of the most visually striking is the happiness with which he wielded that chainsaw.

At least visually, the cinematography is stunning with saturated reds, blues and amber oranges, as well as nifty focus racks that do a lovely job of telling us where to look.

"My main problem was they'd created this really impressive, visually spectacular world and then just told quite a generic seen-it-all-before story inside it," he says.

And I want it to be fun and polished and visually appealing.

A film this visually chaotic should collapse, if not for the steel in Drew’s script.