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Cars weave in and out of traffic, leaving little margin for error.

“I literally had to weave in and out of them ... like pylons.”

Instead, his 2009 novel “One Day” follows its two protagonists, Emma and Dexter, on the same day each year for two decades, as they weave in and out of each other’s lives as friends, partners and everything in between.

The first act, about an hour long and with perhaps seven numbers — though it’s hard to count because they weave in and out of the dialogue — introduces us to Ives’s American versions of Buñuel’s French gourmands from “The Discreet Charm of the Bourgeoisie.”

Kittens weave in and out of the rows of people, sometimes even falling asleep on participants, prompting laughter from the group.